• Grammys Liveblog Recap

    Adele poses backstage with her six awards at the 54th annual Grammy Awards on Sunday, Feb. 12, 2012 in Los Angeles. Adele won awards for best pop solo performance for "Someone Like You," song of the year, record of the year, and best short form music video for "Rolling in the Deep," and album of the year and best pop vocal album for "21."
    Adele poses backstage with her six awards at the 54th annual Grammy Awards on Sunday, Feb. 12, 2012 in Los Angeles. Adele won awards for best pop solo performance for "Someone Like You," song of the year, record of the year, and best short form music video for "Rolling in the Deep," and album of the year and best pop vocal album for "21."

    The two artists who undeniably garnered the most attention preceding the 54th annual Grammy Awards were triumphantly Adele and tragically Whitney Houston, each of them indelibly gifted with standout voices of their generation. Between the award announcements and performances, the attention seemed to bounce between Adele’s success and Houston’s untimely death. As predicted, Adele swept up six awards including Record of the Year and Album of the Year for her album “21.” With almost every performance came an artist’s impromptu dedication to Houston, ultimately leading to singer Jennifer Hudson’s chilling tribute performance.

    7:00 pm

    Backed by a full orchestra, Bruce Springsteen kicked off Grammy night with enthusiastic kicks from underneath his electric guitar. In the audience, Paul McCartney clapped along to the Boss and the E Street Band’s latest single, “We Take Care of Our Own.”

    Host L.L Cool J followed up with a prayer to honor Whitney Houston, who passed away Feb. 11, a day before the show, at age 48. The audience—from Katy Perry to Faith Hill and Tony Bennett—bowed their heads as L.L. Cool J finished with, “Whitney, we will always love you.”


    Nominated for six Grammy awards this year, Bruno Mars performed “Runaway Baby,” from his album Doo-Wops and Hooligans. Mars synchronized costumes and choreography with his band, looping dapper in a gold blazer as he slid into the splits mid-song, never once missing a beat or his key.


    Alicia Keys and Bonnie Raitt joined country and R&B forces on shortened yet soulful version “Sunday Kind of Love” in tribute to another lost artist this past year, Etta James.


    As expected, the award for Pop Solo Performance went to Adele for “Someone Like You,” despite competing against pop mega-forces Lady Gaga, Katy Perry and Pink. In her acceptance speech, Adele said that the song changed her life. With this win and a classic look of voluminous curls and red lips, Adele proved not all pop hits are the result of sugar-coated dance beats and scantily-clad songstresses.


    Chris Brown made his Grammy comeback with three nominations after a three-year absence following the release of violent images of his assault on then-girlfriend Rihanna in 2009. His signature pop-and-lock dance moves dominated his song “Turn Up the Music” against a technicolor stage that times flashes of rainbow colors and skyline images perfectly as each beat dropped. With this performance, Chris Brown reminded the audience of his stage presence as he pleased the crowd with his dance moves despite his likely lip-syncing and court record of violence against women.


    The clementine-clad Fergie and Marc Anthony presented the award for Best Rap Performance. Nominees include Jay-Z and Kanye West for “Otis,” Drake and Nicki Minaj for “Moment 4 Lyfe,” and Chris Brown featuring Busta Rhymes and Lil Wayne for “Look at Me Now.” Watch The Throne’s Jay-Z and West won, though they unfortunately were not in attendance to accept the award. Perhaps there was another event substantially cooler and more worthy of the rap stars’ attendance?


    In typical Grammy fashion of pairing performers with clearly different sounds, the unexpected duo of Rihanna and Coldplay performed together. Rihanna slithered on the ground to her hit “We Found Love,” tossing her newly blonde locks as the song’s signature techno dance beat kicked in. As her song ended, the camera cut to Chris Martin of Coldplay on an acoustic guitar playing “Princess of China" when Rihanna joined him after only a few lyrics. After a quick duet, Martin raced to stage where the rest of Coldplay was waiting to perform hit single, “Paradise.” The performance didn’t prove to be an authentic collaboration but rightfully gave two of this year’s biggest acts much-deserved stage time on music’s biggest night.


    The Foo Fighters in all their bearded glory beat out rock cult favorites Radiohead, Coldplay, The Decemberists and Mumford & Sons for Best Rock Performance. The band’s winning single, “Walk,” comes from album, Wasting Light, which was recorded on tape in the garage of lead singer Dave Grohl’s garage. Grohl marks the first winner of the night to be cut off by the show’s outro music as he screamed out, “Rock 'n' Roll.”


    In celebration of The Beach Boys reunion, Maroon 5 performed the California band’s classic, “Surfer Girl.” Foster The People was up next with even more well-known Beach Boys’ staple, “Wouldn’t It Be Nice.” Finally, The Beach Boys swung slowly along as they sung “Good Vibrations” which ended with a standing ovation by the audience and smiles all round.


    It seems that only a legend is worthy of presenting another legend. Stevie Wonder introduced Paul McCartney, who crooned “My Valentine” in front of a full orchestra which included the sorrowful yet sweet strings of a classical guitar.


    Surprisingly not dressed in her usual sequins, Taylor Swift took the stage in a modest boho dress. With a bango slung around her shoulders, Swift sang a lackluster version of her single “Mean.” She winked and smirked through the “I told you so” lyrics, reminding her audience that despite her poor track record as a live performer, she’s unbearably charming.


    Song of the Year nominations included “The Cave” by Mumford & Sons, “All of the Lights” by Kanye West and Rihanna,“Grenade” by Bruno Mars, “Holocene” by Bon Iver and “Rolling In The Deep” by Adele. Not surprisingly enough, Adele happily skipped up the stage hand-in-hand with the song’s producer Paul Epworth to accept the award.


    However, in a surprising turn of events, country’s girl-next-door Taylor Swift did not crush her country competition for Best Country Album. It was instead Lady Antebellum who won for Best Country Album with Own The Night.


    Adele’s much-anticipated performance lived up to the hype as she crooned a hauntingly beautiful rendition of her song “Rolling In The Deep,” which won Song of the Year earlier in the night. With each second of her performance, from the acapella beginning to the bridge she belted out, Adele continued to outdo herself, clearly showing the world that she’s not the next big thing; she has already arrived.


    Country stars The Band Perry and Blake Shelton honored Glen Campbell. Their performances pleasantly primed the stage for the true star, Glen Campbell, who proudly sang “Rhinestone Cowboy” while the audience clapped and sang along.


    Jazz legend Tony Bennett sang alongside a refreshingly less-country version of Carrie Underwood’s voice that swapped southern twang for fluid jazz harmonies on “It Had To Be You.”


    Bon Iver beat out The Band Perry, Skrillex, J.Cole and even Nicki Minaj who had an undeniably explosive year for new artist. He humbly accepted the award, tipping his theoretical hat to the musicians who have yet to be discovered.


    In honor of the tragic death of Whitney Houston, Jennifer Hudson, who just a couple nights ago was praising Houston’s voice on “Piers Morgan Tonight,” took the stage. Hudson stood under a spotlight while she delivered an impressive (though not quite on par with Houston’s) version of “I Will Always Love You.” Considering the obviously short notice of this performance and Hudson’s chilling rendition, you have to wonder if this is a song she’s dreamed of performing since she was a little girl.


    Deadmau5, Chris Brown, Lil Wayne, David Guetta and Foo Fighters attempted to rouse the crowd with what the Grammy’s had been calling a “dance party” preceding the performance. David Guetta’s electronic beats slunk up and down as background music for Chris Brown and Lil Wayne in a haphazard performance that lacked cohesion. Strobe lights and smoke distracted from a performance that the show could’ve done without. As it turns out, a Deadmau5 and Foo Fighters collaboration make for a pretty abysmal performance.


    Looking fresh in a tuxedo, rapper Drake teases us with an introduction of his “good friend” Nicki Minaj, instead of a performance of his own. It’s quite obvious through Minaj’s typical clothing style, that she strives to be different than your average pop or hip hop star, so her bizarre acting and rapping hybrid performance doesn’t come as much of a surprise. After rap lyrics littered with the word “bitch,” she sampled the Christmas carol, “O Come, All Ye Faithful” resulting in an odd performance that left the audience cheering but completely confused nonetheless.


    The Band Perry presented the Record of the Year to Adele, sharing the same attitude as the rest of the audience with a simple, understated, “No surprise, 'Rolling in the Deep!'” At this point, does it even really matter who else was nominated?


    Adele pulls off a six-for-six clean sweep with tears in her eyes as she accepts the final award of the night, Album of the Year. Despite a runny nose and a little voice cracking, she maintains a level of class and grace that other pop stars can only dream of having. “It has been the most life-changing year,” she sobs. And that is perhaps the understatement of the night.

  • Oddball Veterans Rock The House

    Know it or not, you've probably heard They Might Be Giants at some point in your life. Maybe you've heard "Boss of Me," a Grammy-Award-winning single that also served as the theme song for Malcolm in the Middle. Perhaps your friend showed you their gut-busting take on "Istanbul Not Constantinople." Or if you're my age, you might have been introduced to their music via their music videos on Cartoon Network. With their beefy résumé and critically acclaimed catalogue, TMBG have earned a reputation as a formidable songwriting team. What's shocking is that they're even better live.

    The band stopped by Austin's La Zona Rosa last Friday to promote their latest two releases, Join Us and its companion EP, Album Raises New and Troubling Questions. Right off the bat, it was clear that theirs was no ordinary show. Bandleaders John Flansburgh and John Linnell had put together an act that was 60% music, 15% experimental film, 15% stand-up comedy, and 10% mass hysteria. Before launching into the gorgeous guitar-rock of "Can't Keep Johnny Down," Flansburgh quipped, "It's great to be in Austin, where the ratio of songwriters to bars is fifty-fifty." The crowd was loving it.

    And what's not to love? When a band treats its fans as well as TMBG does, it's not hard to see why their shows sell out so fast. As the entire second row raised their iPhone cameras during the applause for "Johnny," Lindell laid down the law: "When it comes to fan recordings, we have a strict don't-give-a-rat's-ass policy."

    "Not a single rat's ass shall be given," Flansburgh added in perfect deadpan.

    Highlights of the night included a maximum overdrive take on "Istanbul," several surreal snippets of conversation between the duo's sock puppet avatars (filmed onstage and projected onto the wall behind them), a bizarre crowd control experiment in which TMBG bifurcated the audience and instructed them to chant along with primal noise-rock improvisations (stage left was "people" and stage right "apes"), and a five-minute transformation into an Ozzy Osbourne tribute band called "The Ozzataurs of Oz." It was at times disturbing, at times hilarious, and at no point unmemorable.

    My favorite moment, though it's hard to pick, was probably when Lindell took a break from playing accordion to bust out a Kaoss Pad solo. As Lindell distorted and detuned various samples, emitting a subdued atonal squeal halfway between T-Pain and the mating call of a beluga whale, the entire crowd clapped and stomped along. I've never been to a dystopian hoedown, but now I can say I've seen the next best thing.

    But what blew me away about the Giants' show wasn't just its weirdness. Honestly, I couldn't believe how much fun I was having. Sadly, it might be a while before TMBG comes our way again. In the meantime, I'd recommend checking out "Marty Beller Mask," "You Probably Get That A Lot," or "Judy Is Your Viet Nam."

    Then imagine that band playing "Crazy Train," and you'll have an idea of what their show feels like.

  • Weekend Recs: Next to Normal, The Color Run, Demetri Martin

    ZACH Theatre presents: Next to Normal
    WHEN: Thursday, Feb. 2nd — Saturday, Feb. 4th, 8 p.m.
    WHERE: ZACH Theatre
    1510 Toomey Road
    Austin, TX 78704
    HOW MUCH: $35 - $55, Student tickets for $18 one hour before show with ID

    The acclaimed rock musical Next to Normal, which deals with dysfunctional families and bipolar disorder, comes to ZACH Theatre.

    The Color Run Austin
    WHEN: Saturday, Feb. 4th, 2012 at 9 a.m.
    WHERE: Mueller Park
    Mueller Boulevard and Aldrich Street
    Austin, TX 78723
    HOW MUCH: Registration: $50.00 individual; $40.00 Team

    In return for a $40-$50 registration fee, the proceeds of which go to Habitat for Humanity, participants in white t-shirts will run 5k, only to be covered in vivid colored powder at the end of each kilometer.

    Demetri Martin at The Paramount Theatre
    WHEN: Saturday, Feb. 4th, 2012 at 7 p.m. and 9:30 p.m.
    WHERE: Paramount Theatre
    713 Congress Avenue
    Austin, TX 78701
    HOW MUCH: $40

    Known for his deadpan wit, quirky songs and unconventional live pad drawings, stand-up comedian Demetri Martin will be performing back-to-back shows at the Paramount Theatre on Saturday night.

    Austin Shakespeare presents: Arcadia
    WHEN: Thursday, Feb. 2th — Sunday, Feb. 19th, 8 p.m.
    WHERE: The Long Center for the Performing Arts
    701 W. Riverside Drive
    Austin, TX 78704
    HOW MUCH:$17.50 - $34.50; $15 students

    Austin Shakespeare will perform Arcadia, master playwright Tom Stoppard’s 1993 play set in an English home, in both the early 19th century and modern day.  

  • Weekend Recs: Erin Ivey, Voices of Veteran, Austin Gorilla Run

    WHAT: Erin Ivey Concert
    WHEN: Friday, Jan. 20 at 8 p.m.
    WHERE: The Texas Union, Cactus Cafe
    ADMISSION: $10

    Erin Ivey has built a reputation as one of Austin’s best urban folk singers. Her 2011 album, Broken Gold, a collaboration with R&B-dub trio The Finest Kind, was recently named one of the last year’s best albums by Texas Music Magazine and KUT’s Kevin Connor. However, in contrast to that more experimental album, Ivey will be switching gears this Friday at the Cactus Cafe with a stripped-down, solo performance.

    WHAT: Every Veteran Has a Story to Tell
    WHEN: Thursday, Jan. 19 at 9 to 5 p.m.
    WHERE: Texas Capitol: Texas Capitol Visitors Center

    Take a trip by the Texas Capitol to see the exhibit “Every Veteran Has a Story to Tell.” Rather than merely having historians providing perspective on modern wars from World War II to Iraq, the exhibit will feature interviews conducted by the Voices of Veterans program directly from Texas veterans. While far from the being able to experience war, the exhibit will provide a realistic understanding of the emotions that occur in war every day.

    WHAT: The Austin Gorilla Run
    WHEN: Saturday, Jan. 21 at 9 a.m.
    WHERE: Fado Irish Pub
    214 W. Fourth St.
    ADMISSION: $100

    Though somewhat pricey, the $100 admission for the second annual Austin Gorilla Run will go directly to The Mountain Gorilla Conservation Fund, which protects the endangered Mountain Gorilla and creates jobs in Uganda, Rwanda and the Dominican Republic of Congo. The price also includes a gorilla suit to keep, brunch from Fado Irish Pub at the afterparty and a music performance by Achachay. But the chance to run a 5k with 749 fellow runners through downtown in full gorilla costume is simply priceless.

    WHAT: City Wide Annual Free Day of Dance!
    WHEN: Saturday, Jan. 21 at 10:30 a.m. to 8 p.m.
    WHERE: EsquinaTango, Cultural Society of Austin
    209 Pedernales St.

    The group EsquinaTango will be sponsoring free dance lessons all day Saturday in Austin featuring their long list of expert dancers. Whether it is Brazilian street dance, samba or salsa and whether you are a beginner or pro, there will be a time for just about anybody to get moving in Austin.